Train tracks: the Austrian experimental filmmaker discusses using found footage to interrogate and play with the past ...

Stop that train: the recursions of a painful past preoccupied many of the best films at this year’s edition of the Czech ...

On fire: at this year’s edition of the festival devoted to rediscoveries and restorations, distinctions between high and low ...

By Grady Hendrix in the March-April 2020 Issue P erpetually out of step, Shinya Tsukamoto goes where his gut leads him, handcrafting freaked-out sci-fi nightmares from 8mm, 16mm, 35mm, digital video, ...

It’s officially summertime, and with the AC blasting in multiplexes around the globe, Film Comment Editors Clinton Krute and Devika Girish invited two fellow respite seekers, critics Alana Pockros and ...

“The sun is the best bullfighter,” wrote Ernest Hemingway, “and without the sun the best bullfighter is not there. He is like a man without a shadow.” In Albert Serra’s Afternoons of Solitude (2024), ...

Walks beside me: an inclusive, elastic understanding of modern queer lives emerges across Dag Johan Haugerud’s Sex/Dreams/Love trilogy ...

Kwaneta Harris is a former nurse, business owner, and expat, now an incarcerated journalist, from Detroit. Her writings have appeared in a wide range of publications including This American Life, ...

This past fall, Film Comment conducted an international poll of critics, programmers, academics, filmmakers, and others to identify the top films and filmmakers of the decade. In addition, we asked ...

A man of a certain age is dying. The problem is his heart. Not only does it no longer pump as it should, but it has proven itself a failure in matters of love. Because the man still hungers for love, ...

I don’t believe in the idea of guilty pleasures because I don’t think you should feel guilty about liking anything. (My boyfriend on the other hand says he definitely feels guilty about loving B.A.P.S ...

(limited to those age 50 and under)Trivial Top 20 (expanded to 40): Best Directors Who Died Young By Film Comment in the May-June 2009 Issue ...