San Francisco is weighing what to do with a giant public fountain artwork by artist Armand Vaillancourt as it plans a park ...

So what is “The Brutalist” contemplating? The film has one question that asks itself again and again: Who owns art? Corbet leaves us with two answers, one practical and one moral. Morally, art is ...

I cannot also help but interpret this film as an ode to human art and Brutalist architecture as a form of survival. The shots of geometric corners amidst a blue sky, tall and demanding of ...

“The Brutalist” is as much the text itself ... Van Buren (Guy Pierce), of his art — as it is a metatextual argument for the future of filmmaking. Van Buren, an intellectually-outmatched ...