Two of Netflix’s most valuable players may be heading to Paramount. Matt and Ross Duffer are eyeing an overall deal at the studio, The Hollywood Reporter has confirmed. The Duffers became name-brand creators when the first season of Stranger Things bowed in 2016 and has since become a crown jewel for the streaming service.

Netflix could lose the architects of Stranger Things if a new deal goes through that could whisk them away to Paramount.

Matt and Ross Duffer, creators of Stranger Things, will be leaving Netflix for a new overall deal at Paramount that has TV and film.

The Crown' director Benjamin Caron helms a drama in which housing and financial straits force a Portland woman through increasingly risky schemes.

Night Always Comes puts Vanessa Kirby through the wringer – again. It’s her second gruelingly intense dramatic vehicle for Netflix after 2020’s Pieces of a Woman, which landed her a well-deserved Oscar nomination and placed her among the upper echelon of actors who can bring power and presence to both prestige cinema (see also: her memorable turn as Josephine in Ridley Scott’s Napoleon) and pop blockbuster franchises (she’s wonderfully strange as a supporting player in the Mission: Impossible films,

Academy Award nominee Vanessa Kirby discusses her "Night Always Comes" film on Netflix, the experiences that prepared her for this role and her career mentality today.

Netflix Inc. clearly wasn’t content with just killing it with streaming. It has also scored a major victory on the Billboard charts with songs from the surprise hit film “KPop Demon Hunters.” The soundtrack to the animated musical film has the top song on the Billboard charts this week with “Golden” by the K-pop girl group HUNTR/X,

Golden,” the original song from Netflix’s animated hit “KPop Demon Hunters,” has climbed back to the top of the British Official Singles Chart Top 100.

Sony Pictures had a tough summer at the box office. The studio didn’t release a single movie that made $500 million from May to August, and its biggest hit of the year, 28 Years Later, only made $150 million worldwide.