Focusing accurately with the FE 50mm F2.8 Macro lens isn’t a problem. Using the Sony A7S’s contrast detection system produced sharp images even in low light, however, depending on the focus distance ...

Everyone is talking about the Sony α7S (shown at left with the Minolta Rokkor-X 28mm f/2.0 lens and Fotodiox mount adapter), Sony’s newest interchangeable lens camera with a full frame E-mount.

The Sony FE 28-70mm F2 GM is a superlative standard zoom lens. It doesn’t come cheap, but you get what you pay for: a versatile zoom range, exemplary sharpness and a maximum aperture fast enough to ...

TechRadar has been testing camera equipment for two decades. In that time, we’ve reviewed every Sony E-mount lens worth considering, from wide-angle primes to super-telephoto zooms. With so many ...

Nikon lenses require a simple adapter to work with the Sony E-mount but no communication will happen between the camera and lens, including stabilization, EXIF data, auto focus, and iris control.

One reason that might help is that, as with the A7 and A7R, there’s no in-body image stabilisation on the A7s. Some of Sony’s E-mount lenses come with optical stabilisation built-in, but others – such ...

We didn’t get to review the original Sony ILCE ... use when APS-C lenses are fitted via an adapter. The α 7S II lacks this capability. 1. While the new camera uses the 12.2-megapixel full-frame CMOS ...

Sony says the new A7s II will be available in October for “about $3,000” in the US. The company also says that it will add seven new full-frame lenses to its lineup by early 2016, which means ...

The latest in the series is its brand new SP 90mm f/2.8 Di Macro lens designed for Sony’s A-mount camera system, following behind the already-released Canon and Nikon editions. It’s not only ...

The A7S III also includes 5-axis in-body stabilization. This works best with lenses that have IBIS and gimbals but is especially useful for lenses without stabilization. Sony has also included a ...

Another Sony macro ... Serious macro photographers often employ focus stacking to expand the depth of field. There's no distortion to speak of, which is typical of a macro lens.