Deservedly still Tchaikovsky’s most celebrated opera, Eugene Onegin astounds with angelic music that never ceases to amaze. This production by Ted Huffman, in his main stage Royal Opera debut, ...

At first blush, Eugene Onegin looks like a total jerk. A rich 19th-century dandy, he callously rejects the girl who’s fallen for him, seduces her sister, kills her brother-in-law and then crawls back ...

This new year the Royal Opera House is staging both Tchaikovsky’s Eugene Onegin and the ballet Onegin, which utilises the composer’s various concertos, waltzes and mazurkas. Although they follow the ...

She came and she gave without taking, but he sent her away, and boy, does he regret it: Barry Manilow could have stolen the plot of “Mandy” from Tchaikovsky’s 1879 opera “Eugene Onegin.” Seattle Opera ...

It has taken more than two decades for the Washington National Opera to stage Tchaikovsky’s Eugene Onegin (★★★★), and as such there will many so happy to see it, they won’t care what the critics say.

Tchaikovsky’s many moods — tender, grand, melancholy — are all given free rein in Eugene Onegin. The opera is based on Pushkin’s iconic verse novel, which re-imagines the Byronic romantic anti-hero ...

Soprano Katy Lindhart and baritone Thaddaeus Bourne in the Ruby cast of Opera in the Heights’ Eugene Onegin. Credit: Photo by Nancy Gillespie I knew trouble lay ahead in Opera in the Heights’ physical ...

After the tribulations of the pandemic the Union Avenue Opera returns to its lovely home. Here, in the nave of the Union Avenue Christian Church, the company presents first-class opera up-close and ...

Great Performances at the Met presents Tchaikovsky’s Eugene Onegin. Anna Netrebko stars as Tatiana, the naïve heroine of Tchaikovsky’s opera, with Peter Mattei as the title character who rejects her.

This article was originally on a blog post platform and may be missing photos, graphics or links. See About archive blog posts. Saturday night, 10 days after its 25th birthday, Los Angeles Opera ...

Tchaikovsky’s many moods—tender, grand, melancholy—are all given free rein in Eugene Onegin. The opera is based on Pushkin’s iconic verse novel, which reimagines the Byronic romantic anti-hero as the ...