B rady Corbet’s The Brutalist may have narrowly missed out on Best Picture at the 97th Academy Awards, but the film still ...

The new movie The Brutalist is earning a lot of Oscar buzz. Adrien Brody plays a fictional Hungarian architect who settles in America after his family is torn apart during World War II.

I cannot also help but interpret this film as an ode to human art and Brutalist architecture as a form of survival. The shots of geometric corners amidst a blue sky, tall and demanding of ...

One of the etymological origins of the word “brutalism” is “art brut,” or “raw art,” and there’s no argument against Brady ...

Generations: 150 years of Sculpture” demonstrates the Nasher Sculpture Center's extraordinary range and depth of modern works ...

The brutalist fountain is conspicuously absent from renders showing a redeveloped Embarcadero Plaza and people are unhappy ...

Another well-known design by Breuer was 945 Madison Avenue, a large modernist-brutalist art-gallery structure, now known as the Breuer Building, in New York. Another important figure in this ...

So what is “The Brutalist” contemplating? The film has one question that asks itself again and again: Who owns art? Corbet leaves us with two answers, one practical and one moral. Morally, art is ...

That’s a terrifying and unforgiving philosophy, a recipe for either great art or complete disaster. In "The Brutalist," there is no in-between.

But his hidden agenda -- putting László's art at the service of Van Buren money -- doesn't stay hidden for long. "The Brutalist" runs 3 hours and 35 minutes with a 15-minute intermission ...